Monday, September 4, 2017

se·man·tics



I recently watched a video on Facebook posted by a peer. The video was by janaya khan, an activist and the co-founder of Black Lives Matter Canada. She proposed the use of the term “white supremacy” rather than “white privilege,” because it refers to the system rather than the individual. At first, I agreed with her argument, and possibly still do, but I wonder how much it matters. I often feel like people (particularly academics) who sympathize with the movement or have radically progressive politics tend to be overly concerned with verbiage and semantics. In the case of privilege versus supremacy, I wonder if those already turned off by the idea that they are endowed with special advantages would be any more willing to accept the idea that they are the benefactors of a systemic supremacy? Further, I’m not fully convinced that these terms don’t essentially mean the same thing.

Despite the above intro, I bring all of this up because of the feelings Alexandra Juhasz discusses at the end of her introduction and her “worries about [doing] the right work” (27) and not to criticize janaya khan, who certainly does more than most to fight for black lives. In my own attempts to do ‘the right work’ I often wonder if the ‘verbiage and semantics’ I obsess over are worth the effort. At one point Juhasz, an academic herself, asks “[w]hat is a video, an article, a book in the face of millions infected and hundreds of thousands dead” (27)? She eventually answers this question, stating “what else is there to do” (28), and further that she uses her book to “mobilize as many ways of knowing and acting as [she] can in the face of horror” (29). However, my poster stays in the land of “thousands dead” and questions the legitimacy of these pursuits, or shall I say my pursuits. What do they matter when black lives are disregarded daily as fodder for a cruel and careless system? Is it possible that there’s power in avenues that are less concerned with naming and category? What might those avenues be?

To end on a more positive note, taking into account my aforementioned feelings of helplessness and possibly looking towards next week’s manifesto: while I believe they should be thoroughly interrogated and kept in check, I think academia, writing, and the pursuit of knowledge embody their own form of power and pursuit. They are worth more than the expectation of immediate action. The cultivation of knowledge is what keeps the history of my people alive. In addition, for me at least, these pursuits are a form of self-care. They are how I’ve chosen to maintain and enjoy my life in the face of what can and will and has gone wrong—they are my armor and the armor of many like myself.

An Activist Tarot? (Week 3 Assignment)




So I really struggled with this assignment, because I ended up with too many ideas. I created some more conventional pieces with specific issues for each but then decided to think about the effort involved in activism, the sustainability and the drain as it were, of resisting oppression on a number of fronts. It all seems intertwined in a way that made it difficult for me to untangle one narrative difficult from the others. I found isolating one set of symbols very difficult.

Anyway, this is all a bunch of hedging. What I actually did for this project is to create a set of images (and they really only function as a set) based on the Major Arcana of the tarot deck. The tarot, while enjoying its moment as a part of white, Silver Lake hipsterdom, has traditionally been associated with  women (especially women of color), witchcraft, excess, rebellion, and the ability to see and/or change the future. The Major Arcana cards are supposed to represent a path from dangerous innocence to worldly experience and understanding. I wanted to see what would happen if I imagined this journey as an explicitly political one, the journey into activism on a number of fronts, to finding one's voice and persisting in sharing that voice through the trials that the cards represent.

I've been thinking a lot about the relationship between art and activism this week, about how to create an image that mobilizes bodies, thoughts, action. I don't know that these achieve the movement that I would have liked. But I do think that they are a call to introspection or self-reflection -- I hope they ask us to think about where we are on a personal activist path and how contemporary activism can function as a spiritual journey. If that sounds cheesy, or broad, perhaps that's because it is. But I have always seen activism as a combination between spiritual/human calling and tactical/political planning. This project was my attempt to try and convey that combination in a bold, eye-catching way.

More specifically, I think that the words of the Major Arcana are provocative. They ask us to think about what constitutes "strength" or "love" or "evil". This is why I wanted to highlight those words, working primarily with bold typography and letting the images fill the words up. I'm happy to talk through these image choices in class, but each was chosen as a symbol of where or how these values have functioned in collective activism since the time of the last election. For me, these pieces are as much about that which is covered up as that which is revealed. I wanted these images to ask questions in the context of our attempt to change the face of our world, and to embolden us to think of this attempt as a belief system.

--Eli Dunn

"Class Dismissed" - Week 3 Assignment


With Occupy Wall Street and Bernie Sanders' presidential campaign highlighting issues of income inequality and popularizing the idea of the 99%, class and class consciousness have come back to mainstream political discussions. Amidst the widespread attacks on organized labor in so-called "right to work" laws, and lack of coverage of pro-labor issues/demonstrations in the mainstream media, these political movements were very important. I feel that continued focus on issues of class are extremely important right now, and so these images are my attempt to highlight a few cultural examples where issues of class have been reframed by society to obfuscate the issue. The popular cliche of "pull yourself up by your bootstraps," is part of the fundamental mythology of the American Dream, and yet ignores the harsh economic realities that most workers face. That contradiction is immediately flanked by another economic reality: that while wealth creation for the working class is flat, wealth creation for the top 1% (a nod to the rhetoric of Occupy and Bernie) has increased dramatically. The last image was intended to reflect the way in which late-capitalist America has subtly shifted discussion of labor and class from that of collective workers rights and struggles to that of collective consumption. Wages may not have increased (relative to inflation) since the mid-seventies, but working class consumption has grown immensely, fueled by predatory lenders offering usurious "pay-day loans" and sub-prime mortgages. The media frames discourse of the economy in terms of "growth," but the growth they refer to is growth of consumption, growth of profits, not the growth of wages.

--Bill Russell


Sunday, September 3, 2017

Breath - Assignment 02



Deforestation represents the second largest contributor to climate change on the planet. ‘Breath’ is again about deforestation and is another attempt to create a more visceral response by revealing the symbiotic relationship humans share with nature, trees in particular. The background image slivers show close up shots of trees in multiple perspectives and textures in a natural forested landscape. This is the world as it should be, lush and living, diverse, breathable, natural.  The center image, which imposes itself over the vertical slivers, shows a singular image of foggy desolation.  The smoldering tree stumps create an atmosphere that looks toxic and choking.  The text over the image alludes to the process of carbon dioxides conversion into oxygen by plants through photosynthesis. Trees absorb CO2, much of which is created by humans or human activity, and then release oxygen into the air, which then humans breathe in. It is my hope that by equating breath to this relationship and showing a contrast of breathable and non-breathable spaces, the image will create a jarring effect in the viewer, a cognitive dissonance that makes them think about the cost of convenience.  Not only is deforestation choking our planet, it’s choking us as well. Ultimately this image reminds us that as natural beings, we are actually a part of nature and that our ‘dominance’ of the landscape and exorbitant commodification of natural resources is ultimately detrimental to our own well-being.

-Evan Tedlock

Tuesday, August 29, 2017

Week 1 Video Project - Inspired Sound Initiative


This video was intended to reflect the aesthetics of "Harrisburg 8," a documentary-style piece about an activist and the motivations behind their activism. Yuval Ron leads the Inspired Sound Initiative, a 501(c)-3 non-profit that leads musical workshops designed to teach diversity and inclusion through music, dance, and storytelling.

I found it interesting the amount of control I had in the editing process over his story. I was most interested in relating his work to the general political climate, and privileged those sound bites over others concerning the spiritual motivations and aspirations of the project.

HAMATREYA


In a political and cultural climate that is prone to alternative facts or even the flat denial of data the approach to creating mind and behavior changing media must adapt. Steering away from statistics for this assignment, I wanted to create a poetic video that convinces with invisible arguments, the terrible effects of human consumption on the natural environment. Using Emerson as a base and a mixture of my own footage and found footage, I hope this pulls a more visceral response out of the viewer.

Links from class 8.29


Mellencamp:

EAT: click through various sites
  
Ant Farm:

Eames  early on and and around 16 m

Rosler:
Rosler’s site:  http://www.martharosler.net/video/index.htmlhttp://www.martharosler.net/video/index.html
Also worked with PTTV:  trailer: 



Binge:

Marez: